In both cases, there is a loss of primary ties to parents or society and an increase in self-reliance and confidence. He explains this by comparing individuation in human societies with individual development. Fromm says that it is because modern society has given them a sense of loneliness and insignificance. The first two chapters of the book explain some of its main points, such as why people are willing to relinquish their freedom for authoritarian rule. He also pays particular attention to how Nazism took hold of Germany during that time period. In his book, Fromm uses ideas from both psychology and sociology to explain humanity’s ambivalent relationship with freedom. It was written by Erich Fromm in 1941, who had fled Nazi Germany and relocated to the United States. Maybe there was some hope, after all.1-Page Summary of Escape From Freedom Overall SummaryĮscape From Freedom is a book about social psychology. Yes and how many years can some people existĮnough to blow your fuckin mind. Out of the syrupy morass of commercial music, where did this come from? It went on… Peter Paul and Mary sang one of his songs, Where was that music? There was this raunchy skinny kid with a voice like a coffee grinder and a beat-up guitar. Then there were the meaningless songs, Puff the Magic Dragon, that the Pentagon had used to name a C-130 gunship that could riddle a football-field sized piece of Vietnam with 50 Caliber bullets, or Da Doo Ron Ron, Everybody’s gone surfin’, Surfin’ U.S.A. Sure there were tons of adenoidal love songs, You’re the Reason I’m Living – how silly could that be, to base your existence on another person – Can’t Get Used to Losing You, or the misnamed End of the World – can a guy actually imagine his world ending just because some teenage girl tells him goodbye?ĭid all love music have to be saccharine? Not in the blues. And we are right in the middle of it!”Įven mainline music was moving. “This, what we’re having now, like it’s the most amazing musical renaissance since the eighteenth century,” Luis said. Sometimes even touching God, when the artist reaches perfection. Once in a flash she understood music for the first time, discovered what she’d been living. Blade on the piano and vocals, his deep voice like an oak tree in the middle of the song, Sybil the drummer so understated, so clean, Tiny the huge bass player, so black his skin shone like ebony in the sweat of concerts, and Luis, Luis the fiery guitarist, doctor and priest of the sweetest most beautiful soul-moving solos, his blue Telecaster reaching for the infinite of perfect truth and beauty, touching it and falling again – it was the greatest human achievement: going beyond. When she thought about university it was like a boring dream. When they didn’t tour they practiced in the chilly back room of a south Oakland warehouse. Music sweet music for hours, from morning through day and night into morning again. It was entrancing to be alive, deep in the joy of song and freedom. “You the one!” a big man squeezed her to his sweaty belly. TARA DIDN’T GO HOME to Nyack in June after her freshman year, instead took her two suitcases of books and clothes and her battered guitar and moved in with Blade in his Oakland pad, and two weeks later went with him on his next tour, bar gigs first in Oakland then Fillmore Street in San Francisco, then San Jose and all over the Bay Area, belting out the blues to mostly black audiences who were hostile at first but soon cheered her wildly, assaulting her with hugs and free beer. Through the wild, joyous, heartbroken and visionary lives of four young people and many others, the Sixties come alive again, as do its questions: what is life? What is freedom? What was lost, what was won? And for Daisy, the girl Mick loves, a chance to fight for equality, join the Peace Corps, and expand her study of the human mind.Īmerica is the first of Mike Bond’s seven-volume historical novel series, capturing the victories and heartbreaks of the last 70 years and of our nation’s most profound upheavals since the Civil War – a time that defined the end of the 20th Century and where we are today. For his new brother, Mick, a football hero and rebel, a time to question everything, including the fast-growing war in Vietnam. For Tara, the girl he loves, the power of song as she evolves into a rock’n roll star. For orphaned Troy, it’s the joy of living with his new family and exploring the world of flight and outer space. The Sixties shook America to its foundation – the assassination of an idealistic young president, a tragic and unpopular war, a battle for civil rights, a cosmic clash of riots and burning cities, and an explosion of sex, drugs and rock’n roll.įor four young people, the Sixties is a decade of promise and freedom.
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